High Flying, Adored

ACT ONE

THE VOICE OF THE SECRETARY OF THE PRESS

(in Spanish)

It is the sad duty of the Secretary of the

Press…

(in English)

…to inform the people of Argentina

that Eva Peron, spiritual leader of the nation,

entered immortality at 20.25 hours today.

REQUIEM FOR EVITA / OH WHAT A CIRCUS

CROWD

Requiem aeternum dona Evita

Requiem Evita

Evita

Evita

CHE

Oh what a circus! Oh what a show!

Argentina has gone to town

Over the death of an actress called Eva Peron

We’ve all gone crazy

Mourning all day and mourning all night

Falling over ourselves to get all of the misery right

Oh what an exit! That’s how to go!

When they’re ringing your curtain down

Demand to be buried like Eva Peron

It’s quite a sunset

And good for the country in a roundabout way

We’ve made the front page of all the world’s papers today

But who is this Santa Evita?

Why all this howling hysterical sorrow?

What kind of goddess has lived among us?

How will we ever get by without her?

She had her moments–she had some style

The best show in town was the crowd

Outside the Casa Rosada crying, “Eva Peron”

But that’s all gone now

As soon as the smoke from the funeral clears

We’re all going to see how she did nothing for years!

CROWD

Salve regina mater misericordiae

Vita dulcedo et spes nostra

Salve salve regina

Ad te clamamus exules filii Eva

Ad te suspiramus gementes et flentes

O clemens o pia

CHE

You let down your people Evita

You were supposed to have been immortal

That’s all they wanted

Not much to ask for

But in the end you could not deliver

Sing you fools! But you got it wrong

Enjoy your prayers because you haven’t got long

Your queen is dead, your king is through

She’s not coming back to you

Show business kept us all alive

Since 17 October 1945

But the star has gone, the glamour’s worn thin

That’s a pretty bad state for a state to be in

Instead of government we had a stage

Instead of ideas a prima donna’s rage

Instead of help we were given a crowd

She didn’t say much but she said it loud

And who am I who dares to keep

His head held high while millions weep?

Why the exception to the rule?

Opportunist? Traitor? Fool?

Or just a man who grew and saw

From seventeen to twenty-four

His country bled, crucified?

She’s not the only one who’s died!

Sing you fools? But you got it wrong

Enjoy your prayers because you haven’t got long

Your queen is dead, your king is through

She’s not coming back to you

CROWD

Salve regina mater misericordiae

Vita dulcedo et spes nostra

Salve salve regina Peron

Ad te clamamus exules filii Eva

Ad te suspiramus gementes et flentes

O clemens o pia

GIRL

Don’t cry for me Argentina

For I am ordinary, unimportant

And undeserving of such attention

Unless we all are–I think we all are

Ride on my train oh my people

And when it’s your turn to die you’ll remember

They fired those cannons, sang lamentations

Not just for Eva, for Argentina

Not just for Eva, for everybody

So share my glory, so share my coffin

So share my glory, so share my coffin

CHE

It’s our funeral too

ON THIS NIGHT OF A THOUSAND STARS / EVA

AND MAGALDI / EVA BEWARE OF THE CITY

CHE

Now Eva Peron had every disadvantage you need if

you’re going to succeed.

No money, no class, no father,

no bright lights–there was nowhere she’d been at the age

of fifteen,

as this tango singer found out. A tango singer!

Agustin Magaldi–who has the distinction of being the

first man to be of use to Eva Duarte.

MAGALDI

On this night of a thousand stars

Let me take you to heaven’s door

Where the music of love’s guitars

Plays for evermore!

In the glow of those twinkling lights

We shall love through eternity

On this night in a million nights

Fly away with me!

I never dreamed that a kiss could be as sweet as this

–now I know that it can

I used to wander alone without a love of my own

I was a desperate man

But all my grief disappeared and all the sorrow I feared

Wasn’t there anymore

On that magical day when you first came my way

Mi amor!

On this night

On this night

On this night of a thousand stars

Let me take you to heaven’s door

Where the music of love’s guitars

Plays for evermore!

EVA

To think that a man, as famous as you are,

could love a poor little nothing like me!

MAGALDI

The audience here are sitting on their hands

CHE

Listen chum, face the fact they don’t like your act

MAGALDI

But this is Junin! If this were Buenos Aires–

I’d have that town at my feet!
I never ever meet members of the public

–they’d tear me apart!

CHE

I understand their feelings

EVA

I want to be a part of B.A.–Buenos Aires–Big Apple!

EVA and FAMILY

She wants to be a part of B.A.–Buenos Aires–Big Apple!

CHE

Just listen to that! They’re onto you Magaldi!

I’d get out while you can

EVA

It’s happened at last–I’m starting to get started–

I’m moving out with my man

MAGALDI

Now Eva don’t get carried away-

EVA

Monotony past–suburbia departed–

Who could ever get kicks in the back of the sticks?

MAGALDI

Don’t hear words that I didn’t say

EVA’s FAMILY

What’s that? You’d desert the girl you love?

MAGALDI

The girl I love? What are you talking about?

EVA’s FAMILY

She really brightened up your out of town engagement,

she gave you all she had–she wasn’t in your contract

–you must be quite relieved that no-one’s told the papers

–so far-

EVA

I want to be a part of B.A.–Buenos Aires–Big Apple!

Would I have done what I did if I hadn’t thought,

If I hadn’t known, we would stay together?

CHE

Seems to me there’s no point in resisting,

She’s made up her mind, you’ve no choice.

Why don’t you be the man who discovered her?

You’ll never be remembered for your voice.

MAGALDI

The city can be paradise for those who have the cash,

The class and the connections

What you need to make a splash.

The likes of you get swept up in the morning with the trash

If you were rich or middle class-

EVA

Screw the middle classes! I will never accept them!

And

they will never deny me anything again!
My father’s

other family were middle class
and we were kept out of

sight, hidden from view, at his funeral!
If these are the

people of Buenos Aires
I welcome the chance to shine in

their city!

CHE

Do all your one night stands give you this trouble?

MAGALDI

Eva, beware of the city

It’s hungry and cold, can’t be controlled, it is mad

Those who are fools are swallowed up whole

And those who are not become

What they should not become

Changed–in short they go bad

EVA

Bad is good for me–I’m bored, so clean and so ignored

I’ve only been predictable–respectable!
Birds fly out of here so why oh why oh why the hell

can’t I

I only want variety–notoriety!

I want to be a part of B.A.–Buenos Aires–Big Apple!

EVA and FAMILY

She wants to be a part of B.A.–Buenos Aires–Big Apple!

MAGALDI

Five years from now I shall come back

And finally say, you have your way–come to town

But you’ll look at me with a foreigner’s eyes

The magical city, a younger girl’s city,

A fantasy long since put down

EVA

All you’ve done to me–was that a young girl’s fantasy?

I played your city games alright–didn’t I?

I already know what cooks, how the dirty city feels

and looks

I tasted it last night, didn’t I?

I’m going to be a part of B.A.–Buenos Aires–Big Apple!

EVA and FAMILY

She’s going to be a part of B.A.–Buenos Aires–Big Apple!

MAGALDI

Eva beware your ambition

It’s hungry and cold, can’t be controlled, will run wild

This in a man is a danger enough

But you are a woman, not even a woman,

Not

Very much more than a child and whatever you say

I’ll not steal you away!

BUENOS AIRES

EVA

What’s new Buenos Aires?

I’m new–I want to say I’m just a little stuck on you

You’ll be on me too!

I get out here Buenos Aires

Stand back–you ought to know what’cha gonna get in me

Just a little touch of star quality!

Fill me up with your heat, with your noise, with your

dirt, overdo me

Let me dance to your beat, make it loud. let it hurt,

run it through me

Don’t hold back you are certain to impress

Tell the driver this is where I’m staying

Hello Buenos Aires!

Get this–just look at me, dressed up somewhere to go

We’ll put on a show!

Take me in at your flood, give me speed, give me lights,

set me humming

Shoot me up with your blood, wine me up with your

nights, watch me coming

All I want is a whole lot of excess

Tell the singer this is where I’m playing

Stand back Buenos Aires!

Because you ought to know what’cha gonna get in me

Just a little touch of star quality!

And if ever I go too far

It’s because of the things you are

Beautiful town–I love you

And if I need a moment’s rest

Give your lover the very best

Real eiderdown–and silence

CHE

On the 9th February 1935, in Buenos Aires–a polo

match, between a team of leading Argentine players and

the touring British side. The British ambassador said he

had never seen a social occasion quite like it. Even by the

standards of Buenos Aires society the gathering at the

polo ground glittered. The Rolls’ and the Daimlers, the

hampers from Harrod’s, the clothes, the diamonds, the

crystal, the wines, the procession of nannies from

England and France. The result of the match? Oh yes–

the home team won, but as the British ambassador

pointed out, that did not reflect badly on British

horsemanship. Three of the Argentine players were

educated at Eton.

EVA

You’re a tramp, you’re a treat, you will shine to the

death, you are shoddy

But you’re flesh, you are meat, you shall have every

breath in my body

Put me down for a lifetime of success

Give me credit–I’ll find ways of paying

Rio de la Plata! Florida! Corrientes! Nueve de Julio!

All I want to know!

Stand back Buenos Aires!

Because you oughta know what’cha gonna get in me

Just a little touch of

Just a little touch of

Just a little touch of star quality!

GOODNIGHT AND THANK YOU

CHE

Goodnight and thank you Magaldi

You’ve completed your task, what more could we ask

Of you now?

Please sign the book on your way out the door

That will be all

If we need you we’ll call

But I don’t think that’s likely somehow

EVA

Oh but it’s sad when a love affair dies

The parting, the closing of doors

But we must be honest, stop fooling ourselves

CHE

Which means–up yours!

CHE and MAGALDI

There is no-one, no-one at all

Never has been and never will be a lover

Male or female
Who hasn’t an eye on

In fact they rely on

Tricks they can try on

Their partner

They’re hoping their lover will help them or keep them

Support them, promote them

Don’t blame them

You’re the same

CHE

Goodnight and thank you whoever

She’s in every magazine, been photographed, seen

She is known

We don’t like to rush but your case has been packed

If we’ve missed anything

You could give us a ring

But we don’t always answer the phone

EVA

Oh but it’s sad when a love affair dies
But when we were hot we were hot

I know you’ll look back on the good times we’ve shared

CHE

But Eva will not!

CHE, EVA, MAGALDI, EVA’s FIRST LOVER

There is no-one, no-one at all

Never has been and never will be a lover

Male or female

Who hasn’t an eye on

In fact they rely on

Tricks they can try on

Their partner

They’re hoping their lover will help them or keep them

Support them, promote them

Don’t blame them, you’re the same

CHE

Goodnight and thank you whoever

We are grateful you found her a spot on the sound

radio

We’ll think of you every time she’s on the air

We’d love you to stay

But you’d be in the way

So do up your trousers and go

EVA

Of but it’s sad when a love affair dies

The decline into silence and doubt

Our passion was just too intense to survive

CHE

For God’s sake get out!

LOVERS

Oh but this line’s an embarrassing sight

Someone has made us look fools

Argentine men call the sexual shots

Someone has altered the rules

CHE

Fame on the wireless as far as it goes
Is all very well, but every girl knows

She needs a man she can monopolize

With fingers in dozens of different pies-

LOVERS

Oh but it’s sad when a love affair dies

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