MARK:
We begin on Christmas Eve with me, Mark, and my roommate, Roger. We live in an industrial loft on the corner of 11th Street and Avenue B, the top floor of what was once a music publishing factory. Old rock and roll
posters hang on the walls. They have Roger’s picture advertising gigs at
CBGB’s and the Pyramid Club. We have an illegal wood burning stove; it’s
exhaust pipe crawls up to a skylight. All of our electrical appliances are
plugged into one thick extension cord which snakes its way out a window.
Outside a small tent city has sprung up in the lot next to our building. Inside
we are freezing because we have no heat.
(He turns the camera on Roger)
Smile!
TUNE UP #1
MARK:
DECEMBER 24TH, NINE PM, EASTERN STANDARD TIME
FROM HERE ON IN I SHOOT WITHOUT A SCRIPT
SEE IF ANYTHING COMES OF IT INSTEAD OF MY OLD SHIT
FIRST SHOT-ROGER, TUNING THE FENDER GUITAR
HE HASN’T PLAYED IN A YEAR
ROGER:
MARK: SO WE HEAR
HE’S JUST COMING BACK FROM HALF A YEAR OF WITHDRAWAL
ROGER:
MARK: NOT AT ALL
ARE YOU READY? HOLD THAT FOCUS-STEADY
TELL THE FOLKS AT HOME WHAT YOU’RE DOING ROGER...
ROGER: I’M WRITING ONE GREAT SONG--
MARK:
ROGER:
MARK: WE SCREEN
ZOOM IN ON THE ANSWERING MACHINE!
VOICE MAIL #1
ROGER AND MARK’S OUTGOING MESSAGE:
MOM: THAT WAS A VERY LOUD BEEP
I DON’T EVEN KNOW IF THIS IS WORKING
MARK, MARK, ARE YOU THERE?
ARE YOU SCREENING YOUR CALLS?
IT’S MOM
WE WANTED TO CALL AND SAY WE LOVE YOU
AND WE’LL MISS YOU TOMORROW
CINDY AND THE KIDS ARE HERE--SEND THEIR LOVE
OH, I HOPE YOU LIKE THE HOT PLATE
JUST DON’T LEAVE IT ON, DEAR, WHEN YOU LEAVE THE HOUSE
OH AND MARK
WE’RE SORRY TO HEAR THAT MAUREEN DUMPED YOU
I SAY “C’EST LA VIE”
SO LET HER BE A LESBIAN
THERE ARE OTHER FISHIES IN THE SEA
...LOVE MOM
TUNE UP #2
MARK:
TELL THE FOLKS AT HOME WHAT YOU’RE DOING ROGER...
ROGER: I’M WRITING ONE GREAT SONG--
MARK:
ROGER:
MARK:
ROGER AND MARK’S ANSWERING MACHINE:
COLLINS:
ROGER & MARK:
COLLINS:
MARK:
COLLINS: ROGER PICKED UP THE PHONE??
MARK:
COLLINS:
MARK: A WILD NIGHT IS NOW PREORDAINED
COLLINS:
MARK: WHAT DOES HE MEAN?
(The phone rings again)
WHAT DO YOU MEAN, DETAINED?
BENNY:
MARK & ROGER:
BENNY:
MARK & ROGER:
BENNY:
MARK:
BENNY: THIS PAST YEAR’S RENT WHICH I LET SLIDE
MARK: LET SLIDE? YOU SAID WE WERE “GOLDEN”
ROGER: WHEN YOU BOUGHT THE BUILDING
MARK:
ROGER: REMEMBER--YOU LIVED HERE!?
BENNY: HOW COULD I FORGET? YOU, ME, COLLINS AND MAUREEN
HOW IS THE DRAMA QUEEN?
MARK:
BENNY: I KNOW
STILL HER PRODUCTION MANAGER?
MARK: TWO DAYS AGO I WAS BUMPED
BENNY:
MARK:
ROGER:
BENNY:
MARK:
BENNY:
MARK & ROGER:
BENNY: RENT, MY AMIGOS, IS DUE
OR I WILL HAVE TO EVICT YOU
BE THERE IN A FEW
MARK:
RENT
MARK:
HOW DO YOU DOCUMENT REAL LIFE
WHEN REAL LIFE’S GETTING MORE LIKE FICTION EACH DAY?
HEADLINES--BREAD-LINES--BLOW MY MIND
AND NOW THIS DEADLINE “EVICTION--OR PAY”
RENT
ROGER: HOW DO YOU WRITE A SONG
WHEN ALL THE CHORDS SOUND WRONG
THOUGH THEY ONCE SOUNDED RIGHT AND RARE?
WHEN THE NOTES ARE SOUR, WHERE IS THE POWER
YOU ONCE HAD TO IGNITE THE AIR?
MARK: AND WE’RE HUNGRY AND FROZEN
ROGER: SOME LIFE THAT WE’VE CHOSEN
BOTH: HOW WE GONNA PAY
HOW WE GONNA PAY
HOW WE GONNA PAY
LAST YEAR’S RENT
MARK:
ROGER: HOW DO YOU START A FIRE WHEN THERE’S NOTHING TO BURN
AND IT FEELS LIKE SOMETHING’S STUCK IN YOUR FLUE
MARK: HOW CAN YOU GENERATE HEAT WHEN YOU CAN’T FEEL YOUR FEET
BOTH:
MARK: YOU LIGHT UP A MEAN BLAZE
ROGER:
MARK:
BOTH: HOW WE GONNA PAY
HOW WE GONNA PAY
HOW WE GONNA PAY
LAST YEAR’S RENT
JOANNE: (on phone)
DON’T SCREEN, MAUREEN, IT’S ME --JOANNE
YOUR SUBSTITUTE PRODUCTION MANAGER
HEY HEY HEY! DID YOU EAT?
DON’T CHANGE THE SUBJECT MAUREEN
BUT DARLING, YOU HAVEN’T EATEN ALL DAY
YOU WON’T THROW UP
YOU WON’T THROW UP
THE DIGITAL DELAY DIDN’T BLOW UP (EXACTLY)
THERE MAY HAVE BEEN ONE TEENY TINY SPARK
YOU’RE NOT CALLING MARK!
COLLINS: HOW DO YOU STAY ON YOUR FEET WHEN ON EVERY STREET
IT’S “TRICK OR TREAT” AND TONIGHT IT’S “TRICK”
“WELCOME BACK TO TOWN!”
I SHOULD LIE DOWN
EVERYTHING’S BROWN AND UH-OH, I FEEL SICK
MARK:
COLLINS:
BOTH: HOW WE GONNA PAY
HOW WE GONNA PAY
HOW WE GONNA PAY
LAST YEAR’S RENT
BENNY: (on cellular phone)
COLLINS: UGHHHHHH
UGHHHHHH
UGHHHHHH--I CAN’T THINK
UGHHHHHH
UGHHHHHH
UGHHHHHH--I NEED A DRINK
MARK: “THE MUSIC IGNITES THE NIGHT WITH PASSIONATE FIRE”
JOANNE: MAUREEN--I’M NOT A THEATRE PERSON
ROGER: “THE NARRATION CRACKLES AND POPS WITH INCENDIARY WIT”
JOANNE: COULD NEVER BE A THEATRE PERSON
MARK: ZOOM IN AS THEY BURN THE PAST TO THE GROUND
JOANNE:
MARK & ROGER: AND FEEL THE HEAT OF THE FUTURE’S GLOW
JOANNE:
MARK: (on phone) HELLO? MAUREEN? YOUR EQUIPMENT WON’T WORK?
OKAY, ALL RIGHT, I’LL GO!
MARK & HALF THE COMPANY:
HOW DO YOU LEAVE THE PAST BEHIND
WHEN IT KEEPS FINDING WAYS TO GET TO YOUR HEART?
IT REACHES WAY DOWN DEEP AND TEARS YOU INSIDE OUT
TILL YOU’RE TORN APART
RENT
ROGER & OTHER HALF OF COMPANY:
HOW CAN YOU CONNECT IN AN AGE
WHERE STRANGERS, LANDLORDS, LOVERS,
YOUR OWN BLOOD CELLS BETRAY
ALL: WHAT BINDS THE FABRIC TOGETHER
WHEN THE RAGING, SHIFTING WINDS OF CHANGE KEEP RIPPING AWAY
BENNY: DRAW A LINE IN THE SAND
AND THEN MAKE A STAND
ROGER:
MARK:
ALL: WHEN THEY ACT TOUGH, YOU CALL THEIR BLUFF
MARK & ROGER:
MARK & ROGER W/ HALF THE COMPANY:
MARK & ROGER W/ OTHER HALF OF COMPANY:
ALL:
MARK & ROGER:
YOU OKAY, HONEY? (The street)
HOMELESS MAN:
CHRISTMAS BELLS ARE RINGING
CHRISTMAS BELLS ARE RINGING
CHRISTMAS BELLS ARE RINGING
SOMEWHERE ELSE! NOT HERE
ANGEL:
COLLINS:
ANGEL:
COLLINS: NO! HAD NONE TO GET
BUT THEY PURLOINED MY COAT
WELL, YOU MISSED A SLEEVE! -- THANKS
ANGEL: HELL, IT’S CHRISTMAS EVE
I’M ANGEL
COLLINS: ANGEL...? INDEED
AN ANGEL OF THE FIRST DEGREE...
FRIENDS CALL ME COLLINS -- TOM COLLINS
NICE TREE...
ANGEL: LET’S GET A BAND-AID FOR YOUR KNEE
I’LL CHANGE, THERE’S A “LIFE SUPPORT” MEETING AT NINE THIRTY
YES, THIS BODY PROVIDES A COMFORTABLE HOME
FOR THE ACQUIRED IMMUNE DEFICIENCY SYNDROME
COLLINS:
ANGEL: WE’LL GET ALONG FINE
GET YOU A COAT, HAVE A BITE
MAKE A NIGHT--I’M FLUSH
COLLINS:
ANGEL: YOU’RE CUTE WHEN YOU BLUSH
THE MORE THE MERRY-- HO HO HO
AND I DO NOT TAKE NO
TUNE UP #3 (The loft)
MARK:
I don’t suppose you’d like to see Maureen’s show in the lot tonight?
Or come to dinner?
ROGER: Zoom in on my empty wallet.
MARK:
ONE SONG GLORY
ROGER:
(I’M WRITING ONE GREAT SONG BEFORE...)
ONE SONG -- GLORY
ONE SONG -- BEFORE I GO
GLORY
ONE SONG TO LEAVE BEHIND
FIND ONE SONG -- ONE LAST REFRAIN
GLORY
FROM THE PRETTY BOY FRONT MAN
WHO WASTED OPPORTUNITY
ONE SONG -- HE HAD THE WORLD AT HIS FEET
GLORY
IN THE EYES OF A YOUNG GIRL
A YOUNG GIRL
FIND GLORY
BEYOND THE CHEAP COLORED LIGHTS
ONE SONG -- BEFORE THE SUN SETS
GLORY -- ON ANOTHER EMPTY LIFE
TIME FLIES -- TIME DIES
GLORY
ONE BLAZE OF GLORY
ONE BLAZE OF GLORY -- GLORY
FIND GLORY
IN A SONG THAT RINGS TRUE
TRUTH LIKE A BLAZING FIRE
AN ETERNAL FLAME
FIND ONE SONG -- A SONG ABOUT LOVE
GLORY
FROM THE SOUL OF A YOUNG MAN
A YOUNG MAN
FIND THE ONE SONG -- BEFORE THE VIRUS TAKES HOLD
GLORY
LIKE A SUNSET
ONE SONG -- TO REDEEM THIS EMPTY LIFE
TIME FLIES
AND THEN -- NO NEED TO ENDURE ANYMORE
TIME DIES
(A knock at the door)
The door.
LIGHT MY CANDLE
ROGER:
MIMI:
ROGER: I KNOW YOU? -- YOU’RE...YOU’RE SHIVERING
MIMI: IT’S NOTHING -- THEY TURNED OFF MY HEAT
AND I’M JUST A LITTLE WEAK ON MY FEET
WOULD YOU LIGHT MY CANDLE?
WHAT ARE YOU STARING AT?
ROGER: NOTHING
YOUR HAIR IN THE MOONLIGHT
YOU LOOK FAMILIAR
CAN YOU MAKE IT?
MIMI: JUST HAVEN’T EATEN MUCH TODAY
AT LEAST THE ROOM STOPPED SPINNING ANYWAY. WHAT?
ROGER: NOTHING
YOUR SMILE REMINDED ME OF...
MIMI: I ALWAYS REMIND PEOPLE OF -- WHO IS SHE?
ROGER: SHE DIED. HER NAME WAS APRIL
MIMI: IT’S OUT AGAIN
SORRY ABOUT YOUR FRIEND
WOULD YOU LIGHT MY CANDLE?
ROGER:
MIMI:
ROGER:
MIMI: ...DRIPPING. I LIKE IT, BETWEEN MY...
ROGER: ...FINGERS. I FIGURED...
OH, WELL. GOOD NIGHT.
(Mimi exits, then knocks again)
IT BLEW OUT AGAIN?
MIMI: NO -- I THINK THAT I DROPPED MY STASH
ROGER: I KNOW I’VE SEEN YOU OUT AND ABOUT
WHEN I USED TO GO OUT
YOUR CANDLE’S OUT
MIMI: I’M ILLIN’ -- I HAD IT WHEN I WALKED IN THE DOOR
IT WAS PURE -- IS IT ON THE FLOOR?
ROGER:
MIMI: THEY SAY THAT I HAVE THE BEST ASS BELOW 14TH STREET -- IS IT TRUE?
ROGER:
MIMI:
ROGER: OH NO. I MEAN YOU DO -- HAVE A NICE... I MEAN...
YOU LOOK FAMILIAR
MIMI: LIKE YOUR DEAD GIRLFRIEND?
ROGER: ONLY WHEN YOU SMILE
BUT I’M SURE I’VE SEEN YOU SOMEWHERE ELSE...
MIMI: DO YOU GO TO THE CAT SCRATCH CLUB?
THAT’S WHERE I WORK -- I DANCE -- HELP ME LOOK!
ROGER: YES! THEY USED TO TIE YOU UP
MIMI:
ROGER: I DIDN’T RECOGNIZE YOU WITHOUT THE HANDCUFFS
MIMI: WE COULD LIGHT THE CANDLE
OH WON’T YOU LIGHT THE CANDLE
ROGER: WHY DON'T YOU FORGET THAT STUFF?
YOU LOOK LIKE YOU’RE SIXTEEN
MIMI: I’M NINETEEN -- BUT I’M OLD FOR MY AGE
I’M JUST BORN TO BE BAD
ROGER: I ONCE WAS BORN TO BE BAD
I USED TO SHIVER LIKE THAT
MIMI: I HAVE NO HEAT -- I TOLD YOU
ROGER:
MIMI:
ROGER: UH-HUH
I USED TO BE A JUNKIE
MIMI: BUT NOW AND THEN I LIKE TO...
ROGER:
MIMI:
ROGER:
MIMI:
ROGER:
MIMI: WE COULD LIGHT THE CANDLE
WHAT’D YOU DO WITH MY CANDLE?
ROGER:
MIMI: OUR EYES’LL ADJUST. THANK GOD FOR THE MOON
ROGER: MAYBE IT’S NOT THE MOON AT ALL
I HEAR SPIKE LEE’S SHOOTING DOWN THE STREET
MIMI:
ROGER:
MIMI: YOURS TOO
BIG, LIKE MY FATHER’S
YOU WANNA DANCE?
ROGER:
MIMI:
ROGER:
MIMI: THEY CALL ME
THEY CALL ME MIMI
VOICE MAIL #2
MAUREEN:
Hi. You’ve reached Maureen and Joanne. Leave a message and don’t forget
“Over the Moon” -- my performance, protesting the eviction of the Homeless
(and artists) from the Eleventh Street Lot. Tonight at midnight in the lot between
A and B. Party at Life Café to follow. (BEEP)
MR. JEFFERSON: WELL, JOANNE, WE’RE OFF. I TRIED YOU AT THE OFFICE
AND THEY SAID YOU’RE STAGE MANAGING OR SOMETHING
MRS. JEFFERSON: REMIND HER THAT THOSE UNWED MOTHERS IN HARLEM
NEED HER LEGAL HELP TOO
MR. JEFFERSON: CALL DAISY FOR OUR ITINERARY OR ALFRED AT POUND RIDGE
OR EILEEN AT THE STATE DEPARTMENT IN A PINCH
WE'LL BE AT THE SPA FOR NEW YEAR'S
UNLESS THE SENATOR CHANGES HIS MIND
MRS. JEFFERSON:
MR. JEFFERSON: OH YES -- KITTEN
MUMMY'S CONFIRMATION HEARING BEGINS ON THE TENTH
WE'LL NEED YOU -- ALONE -- BY THE SIXTH
MRS. JEFFERSON:
MR. JEFFERSON: YOU HEAR THAT?
IT'S THREE WEEKS AWAY AND SHE'S ALREADY NERVOUS
MRS. JEFFERSON:
MR. JEFFERSON: FOR MUMMY'S SAKE KITTEN
NO DOC MARTENS THIS TIME AND AND WEAR A DRESS...
OH, AND KITTEN -- HAVE A MERRY...
MRS. JEFFERSON:
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